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🎨 Just wrapped up a rendering project featuring the iconic Glenfiddich 18-Year-Old bottle, and I wanted to share some in...
09/09/2024

🎨 Just wrapped up a rendering project featuring the iconic Glenfiddich 18-Year-Old bottle, and I wanted to share some insights into making glass and liquid shine. 🥃

When rendering glass, especially for premium products like wh***ey, lighting and caustics are everything. To capture that rich amber hue and the intricate details of the bottle, I focused on:

✨ Lighting Placement: Strategic light sources are key to revealing the texture of the glass, the label’s subtle embossing, and the depth of the wh***ey inside. I placed the main light at a slight angle to create those crisp reflections, while a softer fill light brought out the warmth of the liquid.

💡 Caustics: These are essential for realism in glass rendering. The way light passes through the wh***ey and refracts onto the surface beneath really adds that extra layer of authenticity. I used a mix of HDRI lighting and area lights to create soft, natural caustic effects that showcase the craftsmanship of the Glenfiddich bottle.

🚀 With the right setup, even the smallest details like condensation on the glass can bring a product rendering to life.

  Making some caustic swirls refracting light with some lights and a warped dome.
08/12/2023

Making some caustic swirls refracting light with some lights and a warped dome.

My entry to the colorway competition over at
06/12/2023

My entry to the colorway competition over at

Nocking out a quick sketch of a Go pro for         Not super happy with the lens and screen but didn’t want to spend mor...
05/10/2023

Nocking out a quick sketch of a Go pro for Not super happy with the lens and screen but didn’t want to spend more than 15 minutes on it. Progress vs perfection on this one.

Lunchtime quick sketch for
05/10/2023

Lunchtime quick sketch for

  submission. Was taking inspiration from corrugated forms from sheet metal. Gives multiple areas to catch the ash and l...
24/09/2023

submission. Was taking inspiration from corrugated forms from sheet metal. Gives multiple areas to catch the ash and looks a uncommon.

Used VDB’s to create the smoke background on 3D modelled in

Playing around motion blur with the classic    #911 model from the   cloud. Took inspiration from  ace little mini coppe...
20/09/2023

Playing around motion blur with the classic #911 model from the cloud.

Took inspiration from ace little mini copper. However, with the pipeline I used with photoshop beta, it uses a lot less computer power and can churn out more options faster as motion blur and depth of field are particularly taxing on pc’s! Let me know what you think!

Playing around motion blur with the classic    #911 model from the   cloud. Took inspiration from  ace little mini coppe...
19/09/2023

Playing around motion blur with the classic #911 model from the cloud.

Took inspiration from ace little mini copper. However, with the process I used with photoshop beta, it uses a lot less computer power and can churn out more options faster as motion blur and depth of field are particularly taxing on pc’s! Let me know what you think!

Enjoying experimenting with high contrast metal and liquid with the HDRI lighting
16/07/2023

Enjoying experimenting with high contrast metal and liquid with the HDRI lighting

Metal is one of my favourite things to render due to its contrasty highlights and shadows.
01/07/2023

Metal is one of my favourite things to render due to its contrasty highlights and shadows.

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