Nepal's best statues Handicrafts

Nepal's best statues Handicrafts Manufacture and specialists of metal statues.

As mentioned by Arthur Erberto Lo Bue in his book " Newar Sculptors and Tibeted Patrons in the 20th Century ' TIBET': published in 2002

" One of the most representative Newar sculptors of the second half of the 20th century is Rajes' Kuma (born on the 6th day of the seventh month of the Vikrama year 2011, that is in October 1954 C.E.), 50 a promising and skilled artist already in the 1970s. The s

on of Kalu Kuma, he has built the largest casting facilities in Lalitpur and is able to produce vey big statues with the help of a team of pupils; also his wife helps him in modelling wax, while his father is present at casting. In 2000, under his father's supervision and with the help of three of his younger brothers, he fashioned two 299-cm-high statues representing the bodhisattvas Maitreya abd Manjusri for the newly extended college of Byang rtse, in the dGelungs pa monastery of dGa'ldan, in Mundgod; the statues were cast in copper and consecrated in Karnataka the following year. Some of Rajes's images are found in the Tibetan monasteries of the Nepal Valley; others (such as those fashioned in Japanese style) are exported as far as Japan. Around 1975 Rajes made a 122-cm-high gilded copper image of Vajrasattva for the already mentioned monastery of dGa' Idan Byams mgon mDo sngags bShad sgrub Thar' dod Gling, at Svayambhu; the statue is housed in the same section where his father's Vajrayogini is placed, at the western end of the western shrine, along the northern wall of the main assembly hall. About 1980-1981 Rajes modelled two concrete images of Shakyamuni -- one making the earth-touching gesture, the other displaying the teaching gesture-- for the assembly hall of the Thai Theravada monastery at Kirtipur, Nepal Valley; it was his first and last attempt at working in that material.

Bodhisattva Vajrapāṇi/Chana Dorje Nepal's best statuesVajrapani or Chana Dorje is the protector and guide of the Buddha,...
17/06/2026

Bodhisattva Vajrapāṇi/Chana Dorje Nepal's best statues
Vajrapani or Chana Dorje is the protector and guide of the Buddha, one of the eight great Bodhisattva and lords of the three families. He represents the power of the Buddhas and is usually depicted as blue in color and holding a vajra. Vajrapani is indeed a Bodhisattva who embodies all the Buddhas’ infinite enlightened power. In recognition of Vajrapani’s powerful abilities, Shakyamuni Buddha entrusted him with the protection of the ta**ras, those powerful Vajrayana teaching capable of guiding qualified disciples to full enlightenment in one short lifetime. As protector of these precious and esoteric ta***ic teachings, Vajrapani is sometimes referred to with the title “Lord of the Secret”.

Vajrapani is the Ta***ic aspect of the enlightened mind, which transforms the energy of hate into active wisdom and magical perfection. A Bodhisattva-aspect which symbolizes the indestructible vajra-body of a Buddha. Chana Dorje was a major secret meditation deity of e.g. Lama Yeshe, Geshe Rabten and Gangchen Tulku.

Vajrapani is extensively represented in Buddhist iconography as one of the three protective deities surrounding the Buddha. Each of them symbolizes one of the Buddha’s virtues: Manjusri (the manifestation of all the Buddhas’ wisdom), Avalokitesvara (the manifestation of all the Buddhas’ compassion) and Vajrapani (the manifestation of all the Buddhas’ power as well as the power of all 5 Tathagathas).

Vajrapani uses powerful means to protect and promote Buddha’s teaching. On one famous occasion, Shakyamuni Buddha was seated at the Vulture’s Peak near Rajagriha, the site where He delivered the Perfection of Wisdom Sutra. At that time, Buddha’s jealous cousin Devadatta rolled a large boulder down the hill in an attempt to assassinate Him. Just as the huge rock was about to crush Buddha, Vajrapani used his immense power to split it into two so that pieces of the boulder fell harmlessly to either side.
Nepal's best statues

Vajrayoginī  Nepal's best statues(Sanskrit: Vajrayoginī; Tibetan: རྡོ་རྗེ་རྣལ་འབྱོར་མ་, Dorjé Naljorma) is a Ta***ic Bud...
15/06/2026

Vajrayoginī Nepal's best statues
(Sanskrit: Vajrayoginī; Tibetan: རྡོ་རྗེ་རྣལ་འབྱོར་མ་, Dorjé Naljorma) is a Ta***ic Buddhist female Buddha and a Dākiṇī.

Vajrayoginī’s essence is “great passion” (maharaga), a transcendent passion that is free of selfishness and illusion — she intensely works for the well-being of others and for the destruction of ego clinging. She is seen as being ideally suited for people with strong passions, providing the way to transform those passions into enlightened virtues.

She is an Anuttarayoga Ta**ra iṣṭadevatā (meditation deity) and her practice includes methods for preventing ordinary death, intermediate state (bardo) and rebirth (by transforming them into paths to enlightenment), and for transforming all mundane daily experiences into higher spiritual paths.

Origin and Lineage

Vajrayoginī’s sādhanā originated in the Himalayan region between the tenth and twelfth centuries. It evolved from the Cakrasaṃvara Ta**ra, where Vajrayoginī appears as his Yab-Yum consort, to become a stand-alone practice of Anuttarayoga Ta**ra in its own right. The practice of Vajrayoginī belongs to the Mother Ta**ra (Wylie: ma rgyud) class of Anuttarayoga Ta**ras along with other ta**ras such as the Cakrasaṃvara and Hevajra Ta**ras.

Vajrayana teaches that the two stages of the practice of Vajrayoginī (generation stage and completion stage) were originally taught by Vajradhara. He manifested in the form of Heruka to expound the Root Ta**ra of Chakrasaṃvara, and it was in this ta**ra that he explained the practice of Vajrayoginī. All the many lineages of instructions on Vajrayoginī can be traced back to this original revelation. Of these lineages, there are three that are most commonly practiced: the Narokhachö lineage, which was transmitted from Vajrayoginī to Naropa; the Maitrikhachö lineage, which was transmitted from Vajrayoginī to Maitripa; and the Indrakhachö lineage, which was transmitted from Vajrayoginī to Indrabodhi.

Black Manjushri Nepal's best statues is one of the wrathful healing form of Manjushri that helps us to heal our deep inn...
14/06/2026

Black Manjushri Nepal's best statues is one of the wrathful healing form of Manjushri that helps us to heal our deep inner negative emotions and mental suffering that arise due to sickness or problems; it is also a powerful antidote against the harm and disturbances caused by negative astrological influence
He is depicted normally black or deep blue in color, with black hair tied up in knot on the skulls crown, single face and two arms with three eyes; right hand holding a sword blazing with flames symbolic suppresses obstructing all demons, left holds paramita text. He stands or sits in the midst of a blazing mass of flames.
It is said that the benefits of practicing Black Manjushri pacificate torment caused by the violent others; grave illness; plague; fear of harm by powerful demons; obstacles caused by the maras on the basis of bad astrological influences, traveling at night; bad omens; infectious diseases such as ulcerous sores; etc. In brief, whatever thoughts of anxiety arise. It helps us to confront and deal with the negative emotions such as anger, depression, fear and denial that arise when we are challenged by serious health problems or when we are confronted with problems in our daily life.
Black Manjushri is the meditation frequently recommended by many Buddhist teachers. Since it typically requires training from a teaching and initiation, while seeking out instruction of a qualified teacher. However, some teachers advise students who are not initiated can visualize the peaceful image of Black Manjushri rather than the wrathful version.

文殊菩薩
黑文殊- 是文殊菩薩其中一個療愈式的憤怒法相化身. 祂幫助我們治愈由疾病或問題而產生的負面情緒和精神痛苦; 亦相傳可化煞刑克星相.
他通常被描繪成黑色或深藍色; 擁有黑色頭髮朿髻, 頂着顱骨冠; 一面二臂三眼;右手持火焰劍象徵性壓制阻擋所有惡魔,左手持般若波羅密多經; 站立或坐在熾熱的火焰中。
據說黑文殊好處眾多, 例如能化解他人暴力的折磨; 消除嚴重疾病, 瘟疫; 害怕惡魔傷害;夜行恐懼; 魔障;兇兆;潰瘍傳染病等等. 總言之,任何恐懼的焦慮。祂助我們面對和處理當受到嚴重健康問題時的挑戰或日常生活中遇到障礙時出現的憤怒,抑鬱,恐懼和否認等負面情緒。
黑文殊是許多佛教大師們都會推薦的觀想。因為這法門也需要一些專業的教學和指導,所以應資訊具德的上師。然而,一些老師也會建議初學者可觀想寂靜相的黑文殊代替憤怒版的黑文殊.

Nepal's best statues for the details of the statue. 🙏🙏🌺🇳🇵

Karzopa Mahakala -  Nepal's best statues The Protector of WisdomKarzopa is an aspect of Mahakala, the great Dharma Defen...
13/06/2026

Karzopa Mahakala - Nepal's best statues The Protector of Wisdom
Karzopa is an aspect of Mahakala, the great Dharma Defender. Also known as the Protector of Wisdom, Mahakala is a wrathful deity who courageously protects the Buddhist teachings and those who study them from harm and evil forces. Despite Mahakala’s always terrifying appearance, he is a Bodhisattva, an embodiment of compassion who yacts for the benefit of all sentient beings. His function is to avert the inner and outer obstacles that prevent practitioners from attaining spiritual realizations, as well as to foster the necessary conditions for their practice. It is said that by simply making a wish for protection to Mahakala, a sincere seeker’s needs will be met.

Gestures and Attributes
Mahakala is depicted in a number of variations, each with different qualities and accoutrements. In most depictions, such as this one of Karzopa, he is shown wearing a crown of five skulls. These skulls represent the transmutation of the five poisons (greed, hatred, ignorance, pride, and jealousy) into the five transcendent wisdoms. He is also seen standing on two human corpses, thus symbolizing the death of negative patterns and emotions to such an extent that they will never return to life.
In his aspect as Karzopa, Mahakala has a number of other specific features with corresponding symbolism. His right hand holds the ritual curved knife, representing his ability to sever attachment to ego. His left hand holds a skull bowl filled with blood to signify his subjugation of evil forces. His trident symbolizes his power over the three kayas - the spheres of desire, form and formlessness. His lasso binds those who break their vows, while his three eyes attest to his knowledge of the past, present and future. The surrounding blazing fire represents his continuous activity that consumes all neurotic states.
Nepal's best statues

Om Tare Tutare Ture Soha Nepal's best statues Om Tare Tutare Ture SohaOm Tare Tutare Ture SohaTara can manifest in myria...
11/06/2026

Om Tare Tutare Ture Soha Nepal's best statues
Om Tare Tutare Ture Soha
Om Tare Tutare Ture Soha

Tara can manifest in myriad—literally endless—forms, suited to the need of the practitioner. Iconographically, She can appear in any color. Famously, She is Green Tara, the saviors—and the chief manifestation of Tara. She is equally known as White Tara, the Goddess of Long Life and Healing.

She can be Ugra Tara, the Black Tara, who is the secret Mantra emanation—the very source of All, since sound (or frequencies) are often considered the source of manifestation in some Budhdist and Hindu beliefs.

Red Tara enjoys much love for her passionate role as the magnetizing Tara, who attracts and who helps beings with the power of positive attraction.

Yellow Tara helps those struggling with poverty, or just to help provide the resources to help other sentient beings. In higher Ta***ic practices Tara can manifest in the body mandala as simultaneous multi-coloured Taras at each of the body’s chakras.

Tara Does What?
Although all Buddhas and enlightened beings have the same realizations, the first question from people newly introduced to Tara, or any deity, is often “What does She do?”

What does Tara do? “Does” is a relative term. Relatively, She is wisdom in action. She is compassion in action. Tara is the penultimate combination of both wisdom and compassion. Ultimately, She is Wisdom realizing emptiness. Relatively, She is the ultimate action hero—means and method. Her names include “Swift Heroine,” which describes Her perfectly.

With Tara, Wisdom and Compassion are perfectly combined. She is swift like the wind. Her green color is representative of the swift, active wind element, fearlessness, and imperturbable wisdom—very much a reflection of her.................

Thank you for reading, may you find peace and great bliss. With your support it helps to spread the Buddha’s precious teachings and turning the Dharma wheels in the world.


Mahakala Six-Armed Mahakala originally came from Khyungpo Nenjor, the founder of the Shangpa Kagyu, and spread to all th...
10/06/2026

Mahakala
Six-Armed Mahakala originally came from Khyungpo Nenjor, the founder of the Shangpa Kagyu, and spread to all the lineages—Sakya, Nyingma, and Gelugpa—as well as various Kagyu lineages. Nowadays he is favored by the Gelugpa order of Tibetan Buddhism, and in this manifestation is considered to be a fierce and powerful emanation of Avalokiteśvara, the bodhisattva of compassion.
He is adorned with the crown of five skulls represents the transmutation of the five negative afflictions of human nature into positive virtues; the Six Arms symbolic the successful completion of the six perfections; the first right hand holds a crescent shaped curved knife symbolize cutting through, even “mince” all the negative spirits or any enemies hostile to the Dharma and filled the skull cup in the first left hand of those evil spirits. The middle right hand holds a Damaru signifying the primordial sound from which is said to have originated all manifested existence. Its rattle is also said to emanate the sound that arouses us from our ignorant state, guiding us on to the path of Dharma; The top right hand holds a rosary of skulls symbolize of perpetual activity, which Mahakala achieves on a cosmic scale; his middle left hand holds a trident that represents the Three Jewels of Buddhism; and the noose of the top hand are for lassoing those of us who strayed away from the path of the Dharma.
Mahakala outstretched his left leg and bent his right knee symbolizes his accomplishments for the benefit of others and for himself; his legs step on an lying elephant-headed entity underrepresents our instinctive, primary animal force and urge, which when unleashed can prove to be extremely destructive, and also it has another meaning of overcoming all superstitious. The sun-disc on which Mahakala stands denotes his illumination of the darkness of ignorance, and the lotus on which this disc rests signifies his undefiled purity.

NAMGYALMA MANTRA,  OM BHRUM SOHA OM AMRITA AYUR DA DAI SOHANamgyalma is the deity who has long been associated with her ...
09/06/2026

NAMGYALMA MANTRA,
OM BHRUM SOHA OM AMRITA AYUR DA DAI SOHA
Namgyalma is the deity who has long been associated with her connection to longevity and the process of spiritual purification. Namgyalma should be considered to be one of the female bodhisattva who is able to help put an end to misery and suffering.The Namgyalma mantra is said to have infinite benefits for those who recite it, which makes it an incredibly powerful mantra to repeat. Practicing the Namgyalma mantra is said to be responsible for helping to free yourself from diseases, illnesses and injuries that could be threatening your life, and also to help you to lengthen your life span. Another benefit of reciting the Namgyalma mantra is that it is said to increase your wisdom, purify your obscurations, eliminate your sins, and help to provide you with a shield against evil omens.

The Namgyalma mantra is thought to be so intensely powerful that if it is spoken around any person, they will benefit from never against needing to be born from the womb; which is one of the causes of suffering. This also means that if it is spoken to or around animals, that they will never again find that they are reborn in the lower realms.

The Namgyalma mantra is the primary mantra that is recited in order to help liberate sentient beings from the lower realms where suffering is tenfold. It is also the main mantra that is used in order to purify the beings and help by purify their negative karma. This very powerful mantra is often also whispered into the ear of those who are in the process of dying or are already dead, so that they can receive the benefit of purification.

The Namgyalma mantra is Om Bhrum Soha Om Amrita Ayur Da Dai Soha

While it can certainly be difficult to directly translate many of the mantras of Buddhism into English, the essential meaning of this mantra is to beseech upon Namgyalma to guide you toward the right pathway that will lead to your own enlightenment and happiness.


Garuda (Sanskrit: गरुड़ Garuḍa; Pāli: गरुळ Garuḷa) is a legendary bird or bird-like creature in Hindu, Buddhist and Jain...
08/06/2026

Garuda (Sanskrit: गरुड़ Garuḍa; Pāli: गरुळ Garuḷa) is a legendary bird or bird-like creature in Hindu, Buddhist and Jain mythology. He is variously the vehicle mount (vahana) of the Hindu god Vishnu, a dharma-protector and Astasena in Buddhism, and the Yaksha of the Jain Tirthankara Shantinatha.

Garuda, also referred to as Garula, are golden-winged birds in Buddhist texts. Under the Buddhist concept of saṃsāra, they are one of the Aṣṭagatyaḥ, the eight classes of inhuman beings. In Buddhist art, they are shown as sitting and listening to the sermons of the Buddha. They are enemies of the Nāgas (snakes) and are sometimes depicted with a serpent held between their claws. Like the Hindu art, both zoomorphic (giant eagle-like bird) and partially anthropomorphic (part bird, part human) iconography is common across Buddhist traditions.

In Buddhism, the Garuda (Sanskrit; Pāli: garuḷā) are enormous predatory birds with a wingspan of 330 yojanas. They are described as beings with intelligence and social organization. They are also sometimes known as suparṇa (Sanskrit; Pāli: supaṇṇa), meaning “well-winged, having good wings”. Like the Nāgas, they combine the characteristics of animals and divine beings, and may be considered to be among the lowest of the devas.
The Garudas have kings and cities, and at least some of them have the magical power of changing into human form when they wish to have dealings with people. On some occasions Garuda kings have had romances with human women in this form. Their dwellings are in groves of the simbalī, or silk-cotton tree.

The Garuda are enemies to the nāga, a race of intelligent serpent- or dragon-like beings, whom they hunt. The Garudas at one time caught the nāgas by seizing them by their heads; but the nāgas learned that by swallowing large stones, they could make themselves too heavy to be carried by the Garudas, wearing them out and killing them from exhaustion. This secret was divulged to one of the Garudas by the ascetic Karambiya, who taught him how to seize a nāga by the tail and force him to vomit up his stone (Pandara Jātaka, J.518).

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