Alpalab

21/06/2026

Not every mark begins on paper.
The “A” of Alpa Lab takes its form from the structures that hold marble slabs in balance a functional geometry found in the yard, shaped by weight, material and process.
A letter born from the way marble stands.
Stories carved in marble.

31/05/2026

Selected for its tone and surface movement, this pink marble slab is now entering its next form, a tabletop.

30/05/2026

Cut and stacked for flooring.
A closer view of marble before it becomes part of an architectural surface.
At Alpalab, production moves across objects, artworks and spatial applications.

25/05/2026

Preparation phase at the lab for the next work.

23/05/2026

Sourced from Alpay Mermer’s own quarries, each marble block enters Alpalab as a material with scale, weight and architectural potential.

From custom surfaces to site-specific pieces, the process begins with understanding the block itself its structure, direction and limits.

At Alpalab, quarry knowledge is carried into production through digital precision and hand finishing.

20/05/2026

A sculpture by Arik Levy, produced in Rosso Levanto marble. Through robotic carving, the material is cut with precision while retaining its natural intensity.
Produced by Alpalab

18/05/2026

The close view of a carved marble fireplace points the precision behind the work.
Each depth and line is shaped through robotic carving, then reviewed through production.
Structure comes from the machine, measure comes from the final refinements.

17/05/2026

15/05/2026

These archival images return marble to its working state: weight, resistance, pressure and movement.

In the quarry, extraction was a sequence of decisions. Lines were marked. Blocks were released by force and timing. Stone moved through rope, slope and collective effort.

The tools have changed. The logic remains, marble is never only shaped at the surface. It is read, controlled and transformed through production.

13/05/2026

The factory is shaped by movement as much as by material.
Forklifts, machines and working lines create the rhythm that allows each process to continue.
This is the infrastructure behind the visible form.