05/11/2026
Another pot with a story - this time it revolves around a local clay that continues to mystify and intrigue me.
Quite a few years ago an elderly potter contacted me and asked if I wanted any of the ceramic materials she had as she was no longer making. As I went through her studio she pointed to a pile of grey clay and remarked that Gwyn ( Gwyn Hanssen - Pigott) had said that if a more fusible clay was needed in a glaze then this was the one to use. Gwyn’s glaze classes were the stuff of legend when I started ceramics and so the comment piqued my interest.
I processed the clay for a glaze material which in retrospect was a bit of a mistake as when I subsequently went to the disused clay pit it was very difficult to figure out in a very varied clay deposit where that particular clay had come from.
Since then it’s been an interesting journey of trying to figure out the potential of this material. In this espresso beaker I have used it initially as a slip and then in a simple 30/70 ratio with Nephylene Syenite in a western Shino style glaze - not that it looks anything like that glaze type!
The journey of discovery continues and I’ll have this one in the house with me for a while.